As the foundation is based on an archive of photographs of actors, it is hardly surprising that the quality is mainly very good. I say mainly because I felt the images from the 1920's were the weakest of the collection. Some of them were poor quality reproductions, but those that weren't seemed to have variable photographic quality - such as poor focussing.
Louise Brooks, by ER Richee, 1929
The exhibition came into its own when showing portraits from the 1930's onwards. There was a marked improvement in quality, in lighting, and in reproduction. I suppose at this time the studios became serious about publicity photographs, and before the stars themselves became aware of the power of keeping their image to themselves.
All in all, well worth a visit! If you are in London before 23rd October 2011, then try to pop along and enjoy this show and all the other excellent art that the NPG shows.
For more information, see the Glamour of the Gods pages at the NPG web site
Marlene Dietrich By George Hurrell, 1937
All in all, well worth a visit! If you are in London before 23rd October 2011, then try to pop along and enjoy this show and all the other excellent art that the NPG shows.
For more information, see the Glamour of the Gods pages at the NPG web site